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Intricate or simple lattice patterns were used as the final
touch in the decoration of a traditional buildings. Variations of geometrical
and Chinese-character grids, floral patterns, and their combinations at lattice
doors and windows were all used to enhance the beauty of Korea's traditional
upper-class living quarters.
Korean lattice patterns, in most cases, are named after things
they resemble: ttisal-mun is literally the belted grid; wancha-mun,
acha-mun, yongcha-mun, and chongcha-mun,
the Chinese-character grids; kobung-mun, the
tortoise shell grid; pitsal-mun, the diagonal grid; kkotsal-mun,
the floral grid; pitkkotsal-mun, the diagonal floral grid; sosul
pitsal-mun, the upright diagonal grid; sosul
pitkkotsal-mun, the up-right diagonal floral design; and their unlimited
variations and combinations.
The ttisal-mun, the belted grid, is the prevalent
pattern appearing in the doors of rural and commoners' houses. The vertical
lattice strips intersect the horizontal lattice strips in the lower, middle, and
uppermost parts of doors. The number of horizontal strips in the middle part of
a door is generally decided by the following rule: if there are an even number
of strips in the lower part than an odd number of strips must be used at the
uppermost part, and visa versa. Even in the number of lattice strips, the
harmony of um (yin) and yang is
emphasized.
The wancha-mun pattern has numerous variations based on
the swastika. This symbol is believed to have appeared on the chest of Sakyamuni
Buddha, so that it has been regarded as a serene religious symbol. Wancha-mun
variations sometimes add bat designs, or two chained circles or diamonds.
Bats stand for family happiness and chains of circles and diamonds, for
eternity.
Another prevalent latticework is the acha-mun design.
As it has a neat appearance, it was the favorite door design among scholars. The
yongcha-mun design is the simplest type of door design. It uses only two
to three vertical lattice strips and three to four horizontal lattice strips.
Intricate meshes of vertical and horizontal strips are called chongcha-mun.
This pattern was thought to ward off evil spirits as it was believed that the
meshed strips guard against evil.
The repetitive tortoise shell pattern, called the kobung-mun,
was often used to express the wish for longevity, as tortoises live much longer
than other animals.
Diagonal lattice patterns are called pitsal-mun. Their
vertical and horizontal strips intersect mostly at 450 and 1350.
This dense meshing was also believed to guard against evil.
When vertical strips are added to pitsal-mun it is
called sosul pitsal-mun, the upright diagonal
grid, which has a more complicated appearance than pitsal-mun. It was
often used for palace and temple doors. The upright diagonal grid mixed with
decorative floral or geometrical designs is called sosol
pitkkotsal-mun. Thus there are ample possibilities of variation. This design
can be seen in halls of government affairs, including Kunjongjon
in Kyongbokkung palace and Myongjongjon
in Ch'anggyonggung palace. But most commonly,
it was used on temple doors. Each temple applies the sosul
pitkkotsal-mun design in its own idiosyncratic way. While the floral lattice
designs of palace and aristocratic residences are rather simple, those on temple
doors, on the contrary, have dazzling variety and splendor.
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